Repertoire
In order that they can express their individuality in
their approach to music, competitors in the The Dublin International
Piano Competition may perform programmes of their own choice. These
programmes should demonstrate an understanding of programme building, an
ability to play in a variety of musical styles and most importantly to show
the depth of their own musicianship, rather than mere technical brillance.
The repertoire must have been written for solo piano, and no alteration to
the piano may take place.
Time limits must be strictly adhered to, and no piece may be
performed more than once.
In the semi-finals all competitors must select one of
four specially commissioned pieces (duration of 5 minutes).
This piece may be performed with a score and the music will be sent
to accepted candidates in January 2012
PROGRAMME
The Repertoire must have been written for solo piano and no alteration to
the piano may take place. Strict adherence to time limits must be observed,
and no piece may be played twice in the Competition.
The exact duration of each piece must be given.
1st Round: 30 Minute recital
2nd Round: 40 Minute recital
Semi-final Round: 50 (45) minute recital *
Final Round: Concertos
* In selecting the semi-final recital programme, consideration in timing
should be given to the five minute compulsory piece.
FINALS
Each competitor must choose TWO contrasting concertos from the following
list. They should indicate their first preference, but in the case where
more than two of the finalists choose the same concerto, the jury reserves
the right to select the other concerto.
(The jury will not be informed of the competitors first preference).
| Mozart |
Concerto No 9 in
E flat K271 |
| Mozart |
Concerto No. 15 in B flat
K450 |
| Mozart |
Concerto No 17 in G K453 |
| Mozart |
Concerto No 20 in d minor
K466 |
| Mozart |
Concerto No 21 in C K467 |
| Mozart |
Concerto No 22 in E flat K482 |
| Mozart |
Concerto No 23 in A K488 |
| Mozart |
Concerto No 24 in c minor
K491 |
| Mozart |
Concerto No 25 in C K503 |
| Mozart |
Concerto No 27 in B flat K595 |
| Beethoven |
Concerto No 1 in C, opus 15 |
| Beethoven |
Concerto No 2 in B flat, opus
19 |
| Beethoven |
Concerto No 3 in c minor,
opus 37 |
| Beethoven |
Concerto No 4 in G, opus 58 |
| Beethoven |
Concerto No 5 in E flat, opus
73 |
| Chopin |
Concerto No 1 in e minor,
opus 11 |
| Chopin |
Concerto No 2 in f minor,
opus 21 |
| Schumann |
Concerto in a minor, opus 54 |
| Mendelssohn |
Concerto No 1 in g minor,
opus 25 |
| Brahms |
Concerto No 1 in d minor,
opus 15 |
| Brahms |
Concerto No 2 in B flat, opus
83 |
| Liszt |
Concerto No 1 in E flat |
| MacDowell |
Concerto No 2 in d minor,
opus 23 |
| Grieg |
Concerto in a minor, opus 16 |
| Tchaikovsky |
Concerto No 1 in b flat
minor, opus 23 |
| Rachmaninov |
Concerto No 1 in f sharp
minor, opus 1 |
| Rachmaninov |
Concerto No 2 in c minor,
opus 18 |
| Rachmaninov |
Concerto No 3 in d minor,
opus 30 |
| Rachmaninov |
Rhapsody on a Theme of
Paganini, opus 43 |
| Saint-Sans |
Concerto No 2 in g minor,
opus 22 |
| Ravel |
Concerto in G major |
| Bartk |
Concerto No 3 (1945) |
| Prokofiev |
Concerto No 2 in g minor,
opus 16 |
| Prokofiev |
Concerto No 3 in C, opus 26 |
| Scriabin |
Concerto in f sharp minor,
opus 20 |